John Bender played by Judd Nelson Stereotype: John Bender is represented as a criminal, bad boy and rebel, though we see that as well as tough, he is vulnerable.
Writer-director John Hughes was never shy about demonstrating just how insensitive parents can be to their children. In The Breakfast Club, he waits all of three minutes to do just that.
Under the circumstances, his mom should probably take it down a notch. Johnson just seemed like a believably fed-up parent who sets rigidly high, semi-unfair standards for her son.
I watched that scene and thought: That sounds like something my mom might say to me. Inas a mother myself, I watch The Breakfast Club and think: But in many ways, The Breakfast Club will always feel like a teenager, or at least a minute expression of the hormonally charged mix of insecurity, defiance, angst, and hubris that pumps through the blood of many American teenagers.
For them, for us, it feels even more personal, like a badge Breakfast club character analisis our generational identity.
For the cluster of kids born in the shadow of the Baby Boomers, and later demographically overshadowed again by the millennials, no teen-movie anthem ever expressed our feelings of cultural neglect more effectively than that Simple Minds track that blasts from the speakers the minute The Breakfast Club begins.
Even a movie that aims to speak for everyone of a certain age will inevitably make someone feel left out. He comes across as distant, but not necessarily a bad guy.
Are all of these parents, or the absence of them, stereotypes? In his film-ending letter to Mr. These are the two adults The Breakfast Club actually does let the audience get to know, and both of them serve as a testament to the way high-school experiences mold the soul.
One of the images in the Shermer High School montage that opens the film reveals that Carl is not only a Shermer alumnus, he was voted man of the year in —appropriate, as the year marking the end of the defining decade of the Boomer experience.
Carl, in his mind, is still a big man on campus. Working as a janitor at his old high school may seem, to some, like the lowest of possible lows. But the work lets Carl stay in his comfort zone, spending every day in the place that made him feel most powerful, even if his power has been reduced to picking up trash.
On my most recent Breakfast Club viewing, I wondered, for the first time: Was he the one who reported Brian to Vernon? Carl is the one adult in the movie who seems really comfortable with who he is, and who really gets the kids. As they leave Shermer at the end of the day, detention served, they seem to realize that.
Vernon is a more difficult figure. He threatens to crack student skulls while false bravado shoots out of his Barry Manilow lapels. The movie does show that Dick—excuse me, Rich—is an extraordinarily insecure guy. He looks deeply stricken. His feelings are hurt because deep down, he wants those kids to like him.
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The grown-ups cope almost the same way the kids cope: That when I get older, these kids are going to take care of me. By virtue of their work, neither he nor Carl ever got out of high school.
I relished in every anti-parental, screw-the-man sentiment embedded in its contained, confessional story, in part because I had to fight my parents to even see it. I was in seventh grade when The Breakfast Club came out.The Breakfast Club uses food to demonstrate character to a surprising extent.
But food, like clothing, only reveals surfaces, reinforcing what they think they know about each other. Brian eats a well-rounded lunch, provoking Bender to mock him. In John Hughes's coming-of-age masterpiece The Breakfast Club, each student—each from a different social background—proves, in a sense, to be a sort of ashio-midori.com to deal with one another.
– Ally Sheedy’s character’s parents ignore her – Even the title, “The Breakfast Club,” shows how they are viewed as young. The characters have a breakthrough and realize that everyone is flawed, especially themselves – They each show their humanity and admit their flaws.
The Breakfast Club was a movie about five very different characters, Claire, Andrew, Brian, Allison, and John Bender. Claire was a popular girl, Andrew was a wrestler (jock), Brian was intellectually gifted, Allison was a basket case, and John Bender was a rebel.
Film Analysis Questions. Film Analysis Questions used for Psy Psychology in Film course. Brooke J.
Cannon, Ph.D. Questions for The Breakfast Club.
Discuss the identity development of the Athlete. How does it differ from the Criminal’s? Identify characters who had Private Acceptance and those who had Public Compliance. Introduction. This blog is an analysis of the movie The Breakfast Club.
We will discuss this movie with emphasis on the psychological perspective and attempt to uncover each character’s internal psychological problems.