Five sources are cited in the bibliography.
The difference between the Fair Youth and the Dark Lady sonnets is not merely in address, but also in tone: Scholars have attempted to illustrate the difference of tone between them by stating that the Fair Youth sequence refers to spiritual love, while the Dark Lady sequence refers to sexual passion.
There have been a number of attempts to identify the Dark Lady, however none have some to fruition. For example, it was not uncommon to read love poems that compared a woman to a river, or the sun. It is written in iambic pentameter, with a rhyming couplet at the end. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
If snow is white, her skin is not — dun is another word for grey-brown; her hair is described as black wires, and she does not have a pleasant flush to her cheeks. He goes so far as to condemn the smell of her, and the sound of her voice.
The poetic speaker, rather than elevate her, brings her further down to earth. As he continues to write, he admits that he has never seen a goddess go, but his mistress walks on the ground.
That line in particular seems almost openly satirizing the tradition itself, as it is well known that many Elizabethan poets would compare their lovers to things that mortals could not achieve, leaving the realm of human to enter the pantheon of the gods. Despite her shortcomings, the poet insists that he loves her, not because she is a goddess, not because she is an unattainable beauty, but because she is his, and because she is real.
He loves her for what the reality is, and not because he can compare her to beautiful things. Usually, most Elizabethan love poetry was written in the tradition of the Petrarchan sonnet.
Contemporary poets, such as Sidney and Watson, would use the Petrarchan sonnet for its poetic form, whereas in SonnetShakespeare mocks all the conventions of it.
Other scholars have attempted to push forward the idea that the poem is ultimately a romantic one in nature. It is quite a stretch to reach this conclusion, and it is not the popular interpretation of the poem, however an argument can be made that the poetic speaker spends an inordinate amount of time describing his mistress down to the bare bones.
The lines he spends on her description could very well symbolize his true adoration for the mistress, and her looks. By contrast, poets who compare their lovers to nature are not really describing them as they are, but idealizing them — and therefore, the poet seems to hint, they cannot love their beloved as much as he loves his mistress.
He is widely regarded as the greatest English writer of all time, and wrote sonnets, two long narrative poems, and 38 plays, though recently another play has been found and attributed to William Shakespeare. So little record of his private life exists that most of what people know about Shakespeare stems from scholarly discussion and speculation, rather than actual records or facts.
It is still unknown who many of the figures in his sonnets are, or whether or not Shakespeare authored his own works or merely signed his name on completed plays, and convincing arguments exist on both sides.
He produced most of his work in a year-period.Some writers of this time are Edmund Spenser, Christopher Marlowe, Sir Walter Raleigh, and William Shakespeare.
They had different subjects, themes and styles. . Home / Literature / Elizabethan Sonnets: Origin and History Elizabethan Sonnets: Origin and History The term, Elizabethan sonnet represents the chain of English sonnets that were written in the Elizabethan age by eminent sonneteers such as Sir Thomas Wyatt, Earl of Surrey, Philip Sydney, Edmund Spencer and chiefly William Shakespeare.
Sonnet 1 by Edmund Spenser and Sonnet by William Shakespeare differ greatly in form, tone, content, meaning, and persona. Shakespeare begins with a rather unflattering attribute; “My mistress’ are nothing like the sun” while Spenser, praises his love by wishing he were a book she was reading. Jan 18, · On the other Edmund Spenser being a poet of nature too.
In his works, we find very difficult diction along with different sonnet styles.
But there is a huge difference between the ashio-midori.com: Resolved. Sonnet 1 by Edmund Spenser and Sonnet by William Shakespeare differ greatly in form, tone, content, meaning, and persona. Shakespeare begins with a rather unflattering attribute; “My mistress’ are nothing like the sun” while Spenser, praises his love by wishing he were a book she was reading.
Edmund Spenser Sonnet No description by Shakespeare likewise to Spenser presents the idealisation of the beloved; although this is evoked more literally by Shakespeare who presents Romeo stating 'If I profane with my unworthiest hand/This holy shrine, the gentle sin is this/My two lips, two blushing pilgrims, ready stand/To smooth that.