Basic structure Essays should discuss a minimum of three poems, ideally four.
Share via Email A kestrel in flight.
He had been a student at St Bueno's Theological College for three years, and this was a productive period: Hopkins seems at ease, fully in control of the energies of his sprung rhythm and effortlessly folding the extra-metrical feet he called outrides see line two, for example into the conventional sonnet form.
He recognised his own achievement, and, sending a revised copy to his friend Robert Bridges, declared that this was the best poem he'd ever written. Much discussed and interpreted, "The Windhover" plainly begins with, and takes its rhythmic expansiveness from, a vividly observed kestrel.
That the bird is also a symbol of Christ, the poem's dedicatee, is equally certain. Perhaps too, its ecstatic flight unconsciously represents for Hopkins his own creative energy.
When he exclaims "How he rung upon the rein…" his image might extend to the restraints and liberations of composition.
Irish Leaving and Junior Certificate studying, revolutionized. - Essay on the Power Hopkins' Sonnet, God's Grandeur As "the world is charged with the grandeur of God," so Gerard Manley Hopkins' sonnet, "God's Grandeur," is charged with language, imagery, sounds and metric patterns that express that grandeur. English Course for Leaving Certificate 1. The text on its own to be studied: · Macbeth Gerard Manley Hopkins Brendan Kennelly D.H. Lawrence Eilean Ni Chuilleanain *Poets to be covered in Fifth Year 4. Comprehension, Functional Writing, Unseen Poetry and Essay Writing will be studied under the following five language types.
The phrase means to lead a horse in a circle on the end of a long rein held by its trainer, and it certainly makes a neat poetic metaphor. What a marvellous sentence Hopkins sets soaring across the first seven lines of the octet: The diction throughout is rich and strange: There are resonant ambiguities: The metaphysics may be complex but the imagery of riding and skating are plain enough.
The wheeling skate brilliantly inscapes the bird's flight-path. It's important to our sensation of sheer, untrammelled energy that we see only the heel of the skate, and not the skater. Empson wrote that he supposed Hopkins would have been angered by the bicycle-wheel comparison, but I am not at all sure he would have been: Christ's Passion is central to the poem, the core from which everything else spirals and to which everything returns.
The plunge of the windhover onto its prey suggests not simply the Fall of man and nature, but the descent of a redemptive Christ into the abyss of human misery and cruelty. References to equestrian and military valour the dauphin, the chevalier evoke the Soldier Christ, a figure to be found in the Spiritual Exercises of St Ignatius of Loyola which Hopkins devotedly practised.
The swoop of this hawk-like dove is essentially spiritual, of course.
But the poem doesn't forget or devalue the "sheer plod" of the farm-labourer — another alter ego, I suspect. It's remarkable how the sestet slows down without losing energy.
Instead of flight there is fire: The adoring "O my Chevalier" softens to a Herbert-like, tender "Ah my dear". And now the great impressionist painter, having so far resisted any colour beyond that suggestive "dapple-dawn", splashes out liberally with the "blue-bleak" embers and the "gold-vermilion" produced by their "gall" and "gash" both words, of course, associated with the Crucifixion.
Again, there is terra firma as well as metaphysics. The earth is broken by the plough in order to flare gloriously again, and the warm colours suggest crops as well as Christ's redemptive blood.
Beyond that, we glimpse some other-worldly shining, a richness not of earth alone. As always in Hopkins's theology, Grace in the religious sense is not to be divorced from athletic, natural, often homoerotic, grace.
In fact, it is fuelled by it. The Windhover I caught this morning morning's minion, king- dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy!
My heart in hiding Stirred for a bird, — the achieve of, the mastery of the thing. Brute beauty and valour and act, oh, air, pride, plume, here Buckle! AND the fire that breaks from thee then, a billion Times told lovelier, more dangerous, O my chevalier!
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The poem No worst, there is none by Gerard Manley Hopkins expresses emotions people experience in life. Hopkins shares his own cry of anguish because without God, human kind has to suffer through life.
People can only depend on God, but when God is not around they have to suffer the depress. Support your answer with suitable reference to the poetry of Gerard Manley Hopkins on your course.
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Leaving Cert and Junior Cert exam paper questions and marking schemes listed by topic. Studyclix makes exam revision and study easier. Gerard Manley Hopkins is one of the three or four greatest poets of the Victorian era.
He is regarded by different readers as the greatest Victorian poet of . Microsoft Word - GERARD MANLEY HOPKINS.doc Author: User Created Date: 9/26/ PM.